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THE COPERNICKER REBBE
by Lucy Cohen Schmiedler
Through the long day
the Copernicker keeps to his burrow,
appearing, colorless,
in the dead of lunar night
to say his New Month prayers
under a full Earth.
"Lord of the Universe,
how long our shared exile?
The great swirled globe suffers in Your absence.
Do I imagine, or is it even now
more gray, less green?
Have mercy on Your children.
Restore Your presence to Your planet."
The tourists stare;
locals shrug.
Crazy guy, living here,
to still believe in Earth.
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BURROW
by Christina Sng
It starts like a virus
Burrowing into your skin,
Eating you from within
A sentient little thing
You never notice its presence
Till the pain grips you
By your red pounding heart
Yanked out of its crust.
The arteries and veins
Let go with a pop
Separated from their lifegiver,
And you,
Their bearer,
Collapse like old bones
Crisp and dry, bound
For the bonfire, you fly
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SNOW TOMB
by Christina Sng
Petals fall lazily like snow;
Moments freeze-frame in gold.
On a path painted with blood,
He follows the dark twisted road
Carrying his black carving tools,
Tears falling to the ground
Like sodden old breadcrumbs,
Marking his way from her
Lying in the womb of the cold,
Indulgently carved out in stone.
As life ebbs gently from her throat,
She smiles and sighs in quiet repose.
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BROUGHT TO YOU BY
by Kevin L. Donihe
I woke up today
only to find
my organic operating system
had been sponsored by
Omni-Corp.
I tried
-and tried valiantly-
but couldn't think
of anything
without first seeing logos
flash before my eyes.
(The leeching madness began to crawl
and I could feel its many tentacles
branching through my brain.)
I thought I was alone in this misery
before I made a few phone-calls
and realized all my friends and neighbors
had experienced the same phenomena.
But they didn't seem to mind
and that only complicated the problem.
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EUREKA!
by Kevin L. Donihe
I can finally prove
the neighbor's apartment
is filled with
whirling recording devices
and bleeping gizmos
of every make and model.
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America's Most Wanted
by Jonathan Brandt
Lens etches the crime
Replay sells latest Game Cube
Say Cheese, OJ-san
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Dream Theater by Bill Braun
Close your eyes and begin to relax.
Take a deep breath, let it out slowly.
Concentrate on breathing.
With each breath you become relaxed.
Imagine a brilliant white light above you.
Focus on this light as it flows through your body.
Allow yourself to drift off as you fall deeper
into a more relaxed state of mind.
Now, as I count back from 10 to 1 you will feel more peaceful.
10...9...8...7...6...
You will enter a safe place where nothing can harm you...
5...4...3...2...
If you need to come back, all you have to do is open your eyes...
1.
...and so begins the journey that
in 1999 the progressive rock band Dream Theater set out to accomplish
with one of the most aggressive musical releases in the past decade. It
was the continuation of an epic 9 minute 30 second song appropriately
titled, Metropolis-Part 1 "The Miracle and the Sleeper" that the band
spawned in their 1992 compact disc titled, Images and Words. So
why then, you may be asking yourself, is it being discussed in this
magazine that tends to lean more towards the various forms of literate
expression? That's just it. Metropolis-Part 2: Scenes From a Memory,
is more than just an exceptional piece of musical composition. It is
ultimately a story that is being told through the art and craft of
James Labrie (Vocals), John Myung (Bass Guitar), John Petrucci
(Guitars, Vocals), Mike Portnoy (Drums, Percussion, Vocals) and Jorden
Rudess (Keyboards). Its 1 1/2 hour running time is played over two
separate acts that flow seamlessly from one into the other. Its story
encompasses past lives, hypnotherapy, regression and a tragic love
story that ends in an act of utter brutality.
The idea behind Scenes From a Memory is reminiscent of such previous endeavors as the Who's unforgettable rock opera, Tommy and, on a less dramatic score, Iron Maiden's "Rime of the Ancient
Mariner". There is a story that needs to be told. Whether that story is
fictional, factual or mythical in nature, it is a story that is
expressed with the accompaniment of wonderfully written music. Some may
argue that the musical score was written to accommodate the lyrics,
while others insist that the lyrical story line was created afterwards
to fit the tone and mood of the end result. Either way, it's the
chicken or the egg. And to be honest, who really gives a shit. If the
final product is something that can be played again and again, with the
same satisfaction each time, that's really all that matters now isn't
it?
Although Scenes From a Memory doesn't come off as being anything new, a true lover of music has got
to appreciate the thought and effort that was put into this haunting
tale of love, betrayal and murder. As you page through the insert that
comes with the CD you begin to understand the extreme care that went
into this project. It reveals to the listener the individual characters
that play vital roles in unfolding the mystery that began in 1928,
which involved a young woman named Victoria Page. It also encompasses a
chronological key that, through the clever use of italics and bold
printing, breaks down the boundaries between a past that cannot exist
without the present.
The cast of characters revolves
around the innocent and youthful Victoria Page. A girl struck down in
the heat of passion and confusion of love's struggle. Throughout this
tale Victoria is torn between her husband, the "wayward man," Julian
Baynes, and Julian's brother, Senator Edward Baynes; referred to as
"The Miracle," and "The Sleeper." The listener is provided a first
person point of view through the unwilling eyes of Nicholas, the poor
soul who must resort to the unique talents of "The Hypnotherapist" in
order to unravel the haunting mysteries of the past (or more
importantly, the past life of Victoria Page) before they become the
madness of his future. It is through Nicholas' dreams and hypnotic
remissions that the story unfolds ("Now it is time to see how you-Nicholas/Victoria Page-died. Remember that death is not the end, only a transition.") and eventually comes to fruition.
Not wanting to say too much about the
actual story, nor the tragic ending that ensues, I will say that its
images will remain with me for years to come. Not because of the who,
what, where or why of it, but because of the means in which this tale
is told. I wish to God there were more bands out there with the
inclination, or should I say daring, to tackle the methodology of
creating a musical composition that is so epic in nature; an
uninterrupted combination of riveting story telling and mood setting
musical intricacy. Metropolis Part 2-Scenes From A Memory is everything that a good book and great film have to offer.
Adding to the success of this
endeavor is the companion DVD that was recorded live during the last
show of Dream Theater's Scenes From A Memory tour. It's called Metropolis 2000: Scenes From New York and it becomes quite clear early on that the band spared no expense
when it came to having the opportunity of relating the story of
Victoria Page. Actors are incorporated to fill the roles of the key
players, aged video footage is added to give a sense of the past and an
astounding female choir is used to provide for the authenticity of its
original recording. The style of this final concert leaves me with a
sense of a more modernized version of the rather successful Operation: Mindcrime tour that the band Queensryche provided for audiences around the world in the late 80's.
For those of you not sold on the
idea, or those that are familiar with the concept but just aren't sold
on the fact that a band like Dream Theater could pull it off, let the
facts speak for themselves. Dream Theater isn't your typical fly by
night, we've got a one hit single that's overplayed on the radio, kind
of band. They've been creating music for over 15 years with no end in
sight and have the talent to show for it. The creation of the band
began in 1986 while John Petrucci and John Myung were attending the
Berklee School of Music when they stumbled upon the raging talent of
Mike Portnoy. From there, as they say, the rest is history.
However, not unlike many of the
bands in existence today, Dream Theater has had its share of
transitional band members, most often in the area of the keyboard
player. Yet the original trio of guitar, bass and drums has not shown
any signs of weakening. Just the opposite. I feel that they have
finally reached the status, strength and recognition that they have
worked so hard to achieve. And working hard is what this band is all
about. Take a chance the next time they come to your town on tour,
swallow a thirty-dollar ticket and see if you don't get your money's
worth from the moment they get on stage to the last chord played on
John Petrucci's guitar. In the case of their last tour, promoting the
CD Six Degrees of Inner Turbulence, those "moments" add up to
about three hours of playtime with, oh, let's say maybe a ten-minute
break. Keep in mind that these are guys who spent their time
fine-tuning their talents at one of the most reputable schools for
musicians. They use their instruments, and they use them well.
In closing, I will say that Dream
Theater is a band that is highly talented, yet they display a form of
music that, for many, may take some getting used to. That's not to say
that it's not worth giving them a try. Really any of their CD's would
be a good place to start, but if your interested in experiencing
something that doesn't simply fit into the single category of musical
entertainment, then by all means run out to your local music store and
purchase Metropolis Part 2-Scenes From A Memory. Then, when you get back home, pop it into your CD player; lay down on your most comfortable couch, and
close your eyes, begin to relax.
Take a deep breath, let it out slowly.
Concentrate on breathing...
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Jeff VanderMeer's City of Saints and Madmen
by John Klima
With the hardcover publication of Jeff VanderMeer's City of Saints and Madmen,
you're not just getting the trade edition in a more permanent form.
It's not even a signed, limited edition. You're getting something along
the lines of 50,000 extra words, which almost doubles the length of the
book. Basically centered on four previously separately published
novellas, the hardcover's added text lends more flesh to the bones that
made up the trade edition.
The main premise of the additional
material in the hardcover ties to the information laid forth in the
novella, "The Strange Case of X." The person in question, 'X,' is
mentally trapped between our world and Ambergris, and therefore
sequestered in a mental institute. As the reader turns pages from the
end of 'X' to the beginning of the Appendix, we learn that 'X' has
escaped...or at least gone missing. His caretaker-almost more of a
curator-has discovered quite a number of things in 'X's cell. The items
include radical political newspapers, manuscripts from 'famous'
Ambergris authors, stories from 'X,' and more; all of which comprise
the Appendix. The Appendix is truly a testament to VanderMeer's skill.
It is meant to be a collection of articles, stories, and notes written
by a wide variety of people. The tone and tenor of each piece is
completely different from one to the next. They truly read as if
different people had written them. One of the pieces, "The Cage," is
perhaps one of the strongest pieces VanderMeer has ever written.
Thoroughly researched and exhaustively gone over, the Appendix is worth
every penny.
To be fair, not everything in the
Appendix makes for enjoyable reading. The Glossary, as glossaries are
wont to do, is not something to read from start to finish. Although, it
is fun to see where one entry leads, often cross-referencing things
that don't make sense until a third or fourth entry is read.
And here's a warning: there is an
encrypted story. A mind-boggling series of numbers (for example:
65.1.4.10) that refer back into the main text by page, paragraph, line,
and finally word number. Until the last paragraph, which refers to
something else entirely. To think that VanderMeer took the time to code
this in the first place is astonishing. The story that unfolds isn't as
enjoyable as the process of decoding it (at least for me, I love a good
problem to solve), but it's a small price to pay in light of the other
items in the Appendix.
Add to this the lavish illustration,
the interesting choice of typefaces, and you have a beautiful book that
I would expect from a quality small press. Did I mention that this was
print-on-demand? It's hard to believe, when you look at the book, that
you can produce something so beautiful with print-on-demand.
And it didn't hurt to fill the pages with VanderMeer's amazing prose.
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